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Honoring the Voice senior film critic’s new book, An Army of Phantoms, at BAM
Nick Pinkerton, Village Voice (New York)
Atlas Shrugged movie |
The Fountainhead |
As we breathlessly anticipate One Tree Hill star Paul Johansson’s adaptation of Ayn Rand’s Atlas Shrugged, King Vidor’s one-of-a-kind, Rand-y melodrama The Fountainhead (1949) will have to tide us over. Uncompromised individualist architect Gary Cooper rails against classicist porticoes and, by sheer willpower, fills the Manhattan skyline with International-style matte paintings. Monumental camp right up to the climactic elevator-ride into Cooper’s crotch, The Fountainhead endures as hardline anti-collectivist Russian émigré Rand’s gift to her adopted country: a blueprint for a popular art as irony-dumb and straitjacketed as the Socialist Realism Stalin was pushing back home.
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