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Our Zombie Culture
Edward Cline, Capitalism Magazine
The Fountainhead |
Objectivist author |
Briefly, according to some accounts, the term “zombie” was popularized in our culture by Bela Lugosi in his 1932 movie, WhiteZombie. The term has Haitian voodoo origins, of course, and the notion of a zombie has ancient European folklore parallels, as well. Mary Shelley’s 1818 Frankenstein monster was assembled from the body parts of the dead, thus technically making it a zombie. Stephen Mallory’s “drooling beast” in The Fountainhead could be said to be a zombie, too, a beast deaf to all reason, a thing that lives only to kill, a “maniac who’s had some disease that’s eaten his brain out….You’d see living eyes watching you and you’d know that the thing can’t hear you, that it can’t be reached, not reached, not in any way, yet it’s breathing and moving there before you with a purpose of its own…”*
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